The problem with being Judge Dredd is that the key to the character is not showing emotion, and seeming to under react to everything happening around you. There’s a reason that the character is affectionately referred to as “Ol’ Stoneyface” by fans, after all. Karl Urban managed to sidestep Sylvester Stallone’s wooden 1990s attempt when he took on the role in the 2012 movie
Watchmen comic author Alan Moore once said, “If there was a Batman in the real world, he probably would be a bit mental.” That’s undoubtedly true, and a theme explored in the character of Rorschach in Moore’s seminal graphic novel masterpiece. Short of stature and patience, Walter Kovacs, better known by his trenchcoat-clad, inkblot-shifting masked alter-ego Rorschach, is the Watchmen’s answer to the Dark Knight. Casting the unconventional role was no easy task for director Zack Snyder when he decided to adapt the novel to film in 2009, but he struck gold in the form of character actor Jackie Earle Haley, who brought the character’s unshakeable tenacity to life.
48 Evey Hammond (Natalie Portman)
V (Hugo Weaving) may have worn the mask, but Natalie Portman’s Evey was the real hero of the piece, with her overcoming the terror of her country’s own government and torture at the hands of V to become stronger than she ever believed possible. Portman’s scene in the rain remains as an enduring image as V’s Guy Fawkes mask or Parliament being destroyed. Portman delivered an arc for Evey that was emotional and dramatic enough to make the typical origin story look tame in comparison.
47 Gamora (Zoe Saldana)
Zoe Saldana has managed to make Gamora one of the MCU’s most interesting characters. She stands out in the band of misfits known as the Guardians of the Galaxy for being tough enough to take on Drax and clever enough to match wits with Peter Quill. Smart, tough and driven by revenge, you get the feeling she really could figure out a way to take on Thanos by herself.
46 Harley Quinn (Margot Robbie)
She proved to be everything that a flesh-and-blood Harley should be: complex, funny, a little tragic and all kinds of trouble. Appropriately stealing every scene she was in, Robbie had a manic energy that felt just the right kinds of brittle, as if one wrong move — or cruel decision on behalf of Jared Leto’s Joker — could unleash all kinds of hell (or just snap her in two). It’s no surprise that she’s going to get a spin-off movie all her own: no-one else in DC’s cinematic universe feels quite as full of life.
45 Black Panther (Chadwick Boseman) But his Black Panther was magnetic, in large part because Boseman stood in such contrast to everything going on around him: silent, still and, ultimately, as kind and empathetic to Helmut Zemo as the other heroes were deaf to anything other than themselves. The cliffhanger of Civil War might have teased the future of Iron Man and Captain America, but it was Black Panther that everyone wanted to see more of next. And fortunately, people will in February 2018, when he toplines his own movie
44 Mystique (Jennifer Lawrence)
Jennifer Lawrence brought her to new heights with her performance in X-Men: First Class, which showed the humanity beneath the blue. Her Oscar win and rise to superstardom between First Class and Days of Future Pastcontributed to the character becoming the face of the franchise, which revealed a new layer to the core relationship of Xavier and Magneto by injecting Raven as a third party with a special relationship with both of them
43 Spider-Man (Andrew Garfield) It isn’t just that Andrew Garfield just looked more like the comic book Peter Parker It was that his Spider-Man felt closer to the one fans had read for years, as well: nervously joking — and with bad jokes as often as not — instead of expressing how upset he was over the latest personal drama was happening to intersect with the supervillain of the moment. Garfield’s Spider-Man was simultaneously confident and unsure, cocky and angst-ridden, and exactly what the comic book character deserved. The only thing he didn’t have were the scripts to let him shine.
42 Nightcrawler (Alan Cumming)
2003’s X2 in which Alan Cumming’s Nightcrawler teleports his way past special forces into the Oval Office, leaving a trail of downed bodyguards and blue inky smoke along the way. The scene is a beautifully shot, exhilarating opening to that rarest of treasures in Hollywood: a sequel that surpasses the original.
41 Storm (Halle Berry)
- One of Hollywood’s most talented actresses meeting one of Marvel’s most well-loved characters sounded like a homerun, but it took a few movies for it to work out. Halle Berry’s Storm was underserved in 2000’sX-Men, with this line considered a low point in X-Men movie history: “You know what happens when a toad gets struck by lightning? The same thing that happens to everything else.” But Berry’s Oscar win in between X-Men andX2: X-Men United helped her Storm earn an expanded screen presence. Storm provided some of the more visually interesting action pieces of the franchise as well as some of its most poignant. Who can forget her rapport with Nightcrawler in X2, or her Sentinel battles in Day of Future Past? Berry’s Ororo Munroe truly became the badass team leader she was meant to be.
40 Hellboy (Ron Perlman)
On the face of it, Ron Perlman had an almost entirely blank slate to work with when becoming Mike Mignola’s demonic demon-puncher. After all, Hellboy is a man of few words, and Mignola’s art also tends towards the less-is-more aesthetic. So it was fascinating to see what he brought out of the character: an everyday, put-upon attitude that made him surly and easily to relate to.
39 Black Widow (Scarlett Johansson)
From inauspicious beginnings as a femme fatale in Iron Man 2 that her treated more like eye candy in a Michael Bay movie than as a superhero, Scarlett Johansson’s Natasha Romanov grew into one of the MCU’s best, thanks to her being given the screentime (and complexity) to shine in 2012’s Avengers. From there, she unexpectedly stole the show in Captain America: Winter Soldier and now has fans clamoring for a solo movie. Black Widow brings something no other Marvel Hero does. Cap is the professional, Tony is the attitude, but neither is both. Black Widow is that perfect mix of skill and bravado that makes her so fun to watch.
38 Blade (Wesley Snipes)
Wesley Snipes toplined 1998’s Blade — about a half human/half vampire who hunts the undead — a surprise hit for New Line, earning more than $131.1 million worldwide. A lot of the credit is due to Snipes, who returned twice more, with the actor’s action chops making you believe a man really could make the night a safer place for us all.
37 Jean Grey (Famke Janssen)
Famke Janssen had a tough job in bringing Jean Grey to life — to this point in the comic books, the character had been mostly defined by outside forces (She was Cyclops’ girlfriend, she was possessed by the Phoenix), but had to seem awesome enough to be adored by both Cyclops and Wolverine. Her solution was to bring the subtext of the comic book character to the fore, and offer up a Jean Grey who seemed calm on the surface but had hidden depths when you looked hard enough. After two movies of being a solid team player, her time in the spotlight as “Dark Phoenix” in 2006’s X-Men: The Last Stand was, arguably, the only good thing about the entire movie.
Peggy Carter is Marvel’s most beloved leading lady, with Hayley Atwell’s tough-as-nail British intelligence officer providing a throughline for multiple MCU projects. How cool is it to see her kicking ass in her prime in ABC’s Agent Carter, or at the height of her influence as a SHIELD big wig in Ant Man’s or as an elderly woman reuniting with her long lost love Steve Rogers in Winter Soldier.
Margot Kidder’s Lois Lane was the perfect foil for her Man of Steel. She felt as imperfect as Superman was ideal; scattered and impatient against Superman’s cool, calm demeanor, the two seemed like opposites attracting with one important exception: they never, ever gave up trying to do what was right.
Over the course of three films — two of which were highwater marks for the time and a third one that, well, existed — Maguire’s Spider-Man went toe-to-toe with a genuinely spooky Green Goblin (Willem Dafoe), a relatable villain in Doctor Octopus (Alfred Molina) and a trio of disappointing baddies in the Sandman (Thomas Haden Church), new Goblin (James Franco) and Venom (Topher Grace — seriously, Topher Grace). What made Maguire’s Spidey so great, though, wasn’t how he portrayed the soaring superhero, but rather the humanity and downright dorkiness that was his Peter Parker, the “man” half of Spider-Man. While Maguire didn’t have quite the wit of his comic counterpart or later movie Spider-Men, he did convincingly pull off a hapless high school loser who loved his neighbor Mary Jane and knew that “with great power comes great responsibility.”
33 Lex Luthor (Gene Hackman)
Vain, brilliant and obsessed with real estate plots before it was cliche, Gene Hackman’s Lex Luthor shows Superman the other side of humanity. Luthor took sadistic pleasure in hurting the Man of Steel, yet the condescending way he dealt with his underlings made him a surprisingly comical figure that allowed the films to deal with cruelty without getting too dark. Even though the Superman movie series tumbled dramatically after 1980’s Superman II, Hackman remained one of the few bright spots in 1987’s Superman IV: The Quest for Peace.
32 The Joker (Jack Nicholson)
Jack Nicholson proved superhero movies could be an actor’s cash cow, with his massive deal for 1989’s Batman becoming the stuff of Hollywood legend. Nicholson’s Mr. J inspired pandamonium among fans, so much so that no one thought his performance could ever be topped. Critics have argued his Joker is just Jack Nicholson playing an amped up version of Jack Nicholson. Perhaps this is a case of an actor truly being born for the role, but whatever the reason, the amount of energy, fun and insanity Nicholson brought to the film helped elevate the comic book genre to new heights just as the Superman franchise was faltering.
The Catwoman of Batman Returns is complicated, contradictory and a million miles from the sex kitten that most people had in their minds about the character from previous appearances. Thank Michelle Pfeiffer, who took a screenplay from Daniel Waters and ran with it, turning in a performance that’s all over the place in the best way possible. Sexy, smart, disturbing and utterly compelling, Pfeiffer’s Catwoman is as much a commentary on the way women were (are) forced to appear in genre fiction as she is a supervillain.
Just a teenager (but already an Oscar winner) by the time she played Rogue, Anna Paquin more than held her own in scenes with future superstar Hugh Jackman and much more seasoned actors like Ian McKellen and Patrick Stewart. All of the X-Men were alienated from society, but Rogue literally was cut off from human contact, unable to touch someone without harming them. Even a flawed movie like X-Men: The Last Stand (with its unfortunate love triangle featuring Rogue, Iceman and Kitty Pryde) managed to give her one of the film’s most touching moment, with Rogue making the decision to take the “mutant cure,” proving the X-Men franchise’s moral complexity was well in tact.
29 Zod (Terence Stamp)
“Kneel Before Zod” line, but Terence Stamp brought something to Superman II that had been missing from the first installment: a sense of menace. It would’ve been easy for Zod to have been a forgettable, even funny bad guy — that outfit alone is less than threatening, let’s be real — but Stamp’s wonderfully measured, almost bored, attitude towards events really sold the idea that he believed he was superior to everyone and everything around him, and in the process, made it seem possible that Superman might be dealing with more than he could handle, so early in his cinematic career.
28 Lucius Fox (Morgan Freeman)
Christopher Nolan’s Batman trilogy demanded plausible explanations for the Dark Knight’s many gadgets — and Morgan Freeman’s Lucius Fox answered the call. Beyond providing Bruce with Tumblers and Batpods, he also helped give him a moral compass. Their charming banter added much-needed levity to the films, but more importantly, scenes like Lucius’ condemning Batman’s mass surveillance plan in The Dark Knight asked important questions about the role of superheroes in society years before Batman v Superman or Captain America: Civil War were doing it.
Brandon Lee gave a fantastic performance in The Crow. Not only did he kick ass, he made audiences feel his love and loss for his murdered fiancée. Just like his father, Bruce Lee, Brandon was taken from us far too early due to the tragic accidental shooting on the set of The Crow. That fact makes his already flawless performance just that much more powerful
Thor is the son of Asgardian king Odin and half-brother to the mischievous trickster Loki. Thor isn’t your average superhero, as if the word “average” could be applied to any on this list, but rather an actual god from the magical realm of Asgard. Chris Hemsworth was the perfect choice to play the god of thunder, able to pull off the look of an actual storm wielding Norse deity while also handling the hefty amount of humorous lines Thor is fed. Some of the best fun had with the character in his multiple film appearances are the hilarious fish-out-of-water moments Thor has as he adjusts to life on Earth among us mere mortals.
Eric Bana was a casualty of Ang Lee’s 2003 misfire Hulk, while Edward Norton was the second star to topline an MCU movie, only to exit the franchise after 2008’s The Incredible Hulk — a fine installment but one that’s largely forgotten. Just when no one thought The Hulk could truly work on the big screen, Mark Rufallo stepped into to the role for his best portrayal yet, thanks to clever mo-cap and the vulnerable likability the actor brings to both the big green guy and his human side.
Let’s be real: Gal Gadot’s Wonder Woman was the highlight of Batman v Superman: Dawn of Justice. In a movie centered around an absurdly macho conflict between two supermen, it was Wonder Woman who was the most interesting hero (and the one who was most on-model from her comic book inspiration: Gadot managed to be mysterious, funny and — best of all — tough as hell. It had taken far too long to bring the most high profile female superhero of them all to the big screen, but when Gadot dropped into frame dressed as Wonder Woman for the first time, it almost seemed worth the wait. With Gadot being the first female superhero to topline a movie in a decade, as well as a turn in Justice League coming in November, she’s only on the rise
Just ask writer/director James Gunn, Vin Diesel and the visual effects team behind Groot. The line “we are groot” melted even the coldest of fanboy hearts, and a baby version of the character caused a national merchandising hysteria. Strangely enough, Marvel’s most crass superhero group is also it’s most heartwarming, and Groot is largely responsible.
The legendary Patrick Stewart and that he is still currently playing the character, well that’s almost unfair. Luckily, James McAvoy was able to carve out his niche as Professor Charles Xavier in the prequel series of X-Men films, starting with 2011’s X-Men: First Class. Playing an earlier version of the character, one not yet bound to a wheelchair and who hasn’t quite gotten the hang of being the guiding hand for wayward mutants, McAvoy offered a new vulnerability to the character, and also broke new ground in the way of follicles for Professor X. McAvoy’s portrayal was a bit more carefree and fun, at least in the first outing, then Stewart’s all-knowing telepath, yet the gravitas necessary for the character was there from the start.
His relationship with Prof. X is one of the deepest in film history, cultivated over 14 years and four films (plus one cameo), with the real-life friendship between McKellen and Stewart seeping through in scenes like this one, which saw them united just before their deaths in Days of Future Past.
What makes Star-Lord so great, other than his impeccable taste in classic rock, is that he’s not really a superhero at all. He’s just a kid from Earth, stolen from his home planet and raised by a group of alien space pirates. Okay, so he may or may not have a mysterious family lineage, but regardless of his genealogy, Star-Lord is undoubtedly super-powered when it comes to being cool. We’re talking Han Solo levels of cool. Whether he’s wooing primary-colored alien babes or guarding the galaxy with the help of a talking racoon and a humanoid plant creature, Peter Quill is one of the most punk rock heroes to ever make it onscreen.
While his counterpart, James McAvoy, got to revel in the more carefree aspects of his character’s past in the X-Men prequels, Michael Fassbender’s Erik Lensherr, the man who would become Magneto, had the difficult task of overcoming the much fresher pain of his internment during the holocaust. Just as so many others on this list had to do, Fassbender was beset with the near-Herculean feat of matching Sir Ian McKellan’s performance as the most magnetic of all X-Men foes. Fassbender, no acting slouch himself, rose to the occasion and slipped into the red and blue helmet like he was born for it. The raw emotion of the character is felt in each performance by Fassbender, whether it be his desire to see Mystique (Jennifer Lawrence) reveal her true self in X-Men: First Class or the gut-wrenching loss of his wife and daughter in X-Men: Apocalypse.
2011’s Thor that Loki — traditionally a vengeful old man in the comic books — would end up being not just the most memorable character in the movie, but also challenge Chris Hemsworth as the dreamboat breakout star, most fans would have assumed they were a God of Lies themselves.
Even before Sir Patrick Stewart took over the wheelchair, it was clear to X-Men fans the world over that he would make an ideal Charles Xavier. His multi-year run on Star Trek: The Next Generation had ably demonstrated that he could bring a warmth, authority and charm to the founder of the mutant super team, while also being able to handle the more outrageous concepts and names of a franchise that included characters called The Blob and the Brotherhood of Evil Mutants. For the last 17 years, he’s repeatedly demonstrated that he was more than up for the job, offering a version of the beloved character that just might be — whisper it — better than the comic book original
. A genius billionaire playboy philanthropist with a closet full of flying metal suits who counts among his closest friends a Norse demigod, a World War II veteran super-soldier and a world-renowned atomic physicist who can transform into a hulking green anger monster, Stark also has the distinction of being the only superhero played by Robert Downey, Jr., whose offscreen life blurs the line between artist and subject. Stark is ultra-suave, handsome, witty and a technological genius able to create mind-blowing inventions in a cave, with a pile of scraps. Stark is far from a one-note playboy, however, as he has evolved over the course of seven films (so far — he’s slated to appear in both Spider-Man: Homecomingand Avengers: Infinity War) into a deeply compassionate hero who loves his friends, is a stoic defender of what he thinks is right and is a sufferer of panic attacks.
Michael Keaton was the Batman fans expressly didn’t want: after the announcement of his casting, comic book readers complained that he was a comedy actor, that he wouldn’t be able to pull of the physical demands of the role, that he was too short — and then 1989’s Batman was released, and the complaints immediately stopped. Intense, slightly crazy and the originator of the husky-mumble-as-vocal-disguise that would thereafter be the must-have for all Batmen, Keaton took Batman more seriously than anyone expected, and in doing so, sold the mainstream on forgetting about Adam West altogether.
Chris Evans’ embodied both physicality and morality of the Star Spangled Avenger, elevating what could have been a corny concept into the heart of the Marvel Cinematic Universe. Who would have guessed the Captain America trilogy would outshine the three Iron Manfilms when taken in total? But thanks to Evans and entrees like The Winter Soldier and Civil War helped Marvel explore things that hadn’t been accomplished in superhero movies before.
Case in point, Ryan Reynold’s first appearance on the big screen as Wade Wilson in 2009’s X-Men Origins: Wolverine. Sure, the film took the character who is known colloquially as the “Merc With a Mouth” and LITERALLY sewed his mouth shut, but that was only to light the fire under Reynold’s behind hot enough to spend nearly the next decade pushing for his passion project. It turned out waiting was a good thing, as 2016’s Deadpool lit up the box office (it earned over $780 million at the global box office, making it the highest grossing X-Men movie of all time) and earned a surprising number of major awards nominations, including best comedic actor and picture at the Golden Globes.
For three films, Bale and director Christopher Nolan redefined hero and pretty much set the bar for all superhero films that followed. Not only did Bale look the part by packing on pounds of muscle, but he made his Bruce Wayne, with a flair for lavish wealth-flaunting and womanizing, so far removed from the animalistic, growling brutality of his Batman that he truly stands alone as the actor who best distinguished the two parts of Wayne’s identity. Dark, realistic, gritty, and truly intimidating, Bale put the “dark” back in the Dark Knight.
“You’ll believe a man can fly,” ran the tagline for 1978’s Superman: The Movie, but Christopher Reeve did more than just sell special effects as DC’s Man of Steel: he managed to make the iconic comic book hero both human and, even more importantly, kind in a way that perfectly brought the character to life. Reeve might not have been the first on-screen Superman, but he embodied him in such a way that all others will forever be measured by the bar he set.
Heath Ledger’s Joker has become the performance upon which all other superhero actors are judged, as the Australian actor’s 2008 turn as the sinister jester is the only Oscar-winning portrayal in the history of the genre. And it was well-deserved. Ledger had no easy task set out for him when he took the role of Batman’s top adversary in Christopher Nolan’s Dark Knight trilogy. Jack Nicholson’s 1989 performance had already solidified the Shining star as the Clown Prince of Crime in many fans’ eyes, and Ledger’s resume at the time of his casting didn’t exactly scream “The Joker.” However, despite the early protestations by critics of the fanboy variety, Ledger went on to completely blow audiences and critics away with a portrayal that played up the character’s detached psychosis and gleeful anarchistic sensibilities. Ledger commanded the screen in every scene he was in, spawned countless catchphrases (“Why so serious?”), and elevated an entire genre from blockbuster fare to serious Academy contenders.
In Logan, Dafne Keen’s X-23/Lara manages to more than hold her own in scenes with Patrick Stewart’s Prof. X and Hugh Jackman’s Logan, making you truly believe the impossible: that the X-Men franchise can be as vital as ever without resorting to time travel gimmicks or timeline reboots. She’s badass and vulnerable, with Keen undoubtedly delivering the finest performance by a child in a superhero movie ever.
The X-Men franchise hasn’t always got it right (X-Men Origins: Wolverine), but Jackman has weathered the good and the bad. Jackman’s Wolverine is decidedly more charming than the comic book iterations (those close to Jackman say it’s impossible for the actor’s natural charm not to shine through), but that didn’t take away from him becoming so intertwined with the character that it’s hard to remember where comic book begins and Jackman ends. With Logan, which sees him play an older, vulnerable version of the character, Jackman leaves on the highest of notes, something nearly unheard of for a Hollywood star in a longterm relationship with a character. Snikt! Indeed.